Alan Parker’s film ended up being considering Pink Floyd’s successful stone record album of 1979. The cultish, downbeat re-imagining associated with Pink Floyd record album, a musical form that is”free” masterpiece – had been an extraordinary lineage into madness and insanity through a number of rambling music movie sections by burned-out and depressed stone singer Pink (Bob Geldorf) in a l . a . college accommodation. He had been mostly mindlessly viewing television – he’d built a real and metaphorical protective wall surface around himself following the loss of their dad as he experienced flashbacks of their life and attemptedto tear the wall down. Continue reading